Jack Sargeant's "Naked Lens: Beat Cinema" (1997/2001/2008)
9.625" x 9.75" x 0.625", 255 pages, softcover, ISBN 1-84068-041-5.
Jack Sargeant's Naked Lens: Beat Cinema, originally published in 1997 [shown below with the Jack Kerouac cover] by Creation Books (London), and printed again in 2001 but with different covers [shown above with the Naked Lunch cover]. A later edition was published by Soft Skull Press (Berkeley, CA.) in 2008 [with images of Allen Ginsberg from Wholly Communion on the cover]. A rich exploration of the intersections between "Beat" authors and film.
This contains a number of sections (mostly in the second part of the book "The War Universe of William S. Burroughs") that are heavily centered on William S. Burroughs:
- Chapter 10: "Image Hoard", pp. 169-196, which discusses the collaborations between Burroughs, Brion Gysin, Antony Balch, and Ian Sommerville. This also includes interviews with Brion Gysin and Genesis (Breyer) P-Orridge. [Note: the later 2008 edition also includes a section on Antony Balch's Guerilla Conditions.]
- Chapter 11: "Cut-Up/Burroughs/Punk/Cut-Up", pp. 197-210, which is framed by Klaus Maeck and his 1984-released film Decoder, in which Burroughs appears.
- Chapter 12: "David Cronenberg's Naked Lunch", pp. 211-217, which discusses the Cronenberg adaptation of Burroughs Naked Lunch.
Multiple images of Burroughs appear throughout the book.
9.625" x 6.625" x 0.625", 260 pages, softcover, ISBN 1-871592-67-4.
For the Soft Skull edition:
- Chapter 10: "Image Hoard", pp. 163-194.
- Chapter 11: "Cut-Up/Burroughs/Punk/Cut-Up", pp. 195-208.
- Chapter 12: "David Cronenberg's Naked Lunch", pp. 209-214.
- Chapter 13: "Burroughs Animated", pp. 215-218, which covers the animated sequences of Ah Pook Is Here and The Junky's Christmas – this is a new chapter that appears only in the Soft Skull edition
Contents:
- [2008 edition only: Foreword by Richard Marshall]
- Introduction by Jack Sargeant
- Part One: Searching for a Free Vision
- Chapter One: Pull My Daisy
- Notes on Pull My Daisy
- An Interview with Alfred Leslie
- An Interview with Robert Frank
- Chapter Two: Spontaneous Cinema? In the Shadows with John Cassavetes
- Chapter Three: Wild Men & Outcast Visionaries
- Notes on the San Francisco Renaissance
- Ron Rice & Taylor Mead: Flower Thieves & Dharma Bums
- An Interview with Taylor Mead
- Chapter Four: Eyeball Head Poem: The Animated Worlds of Harry Smith
- Chapter Five: Low-Rent Hollywood & Cobra Camp: Jack Smith's Flaming Creatures
- Chapter Six: An Interview with Jonas Mekas
- Chapter Seven: Wholly Communion
- 'A Few Poets Trying to Be Natural'
- An Interview with Peter Whitehead
- Chapter Eight: Hallucinations & Homecomings: Notes on Conrad Rooks' Chappaqua
- Chapter Nine: An Interview with Allen Ginsberg
- Part Two: The War Universe of William S. Burroughs
- Chapter Ten: Image Hoard
- Cinematic Experiments & Collaborations: Balch/Burroughs/Gysin/Sommerville
- An Interview with Brion Gysin (Paris, October 1983)
- Thee Films: An Account by Genesis P-Orridge
- [2008 edition only: Ongoing Guerilla Conditions]
- Chapter Eleven: Cut-Ups/Burroughs/Punk/Cut-Up
- Electronic Revolutionaries: Decoder
- An Interview with Klaus Maeck
- Chapter Twelve: Cronenberg's Naked Lunch
- [2008 edition only: Chapter Thirteen: Burroughs Animated]
- Appendices
- Mainstream/Hollywood & Beat Culture
- Notes on Gus Van Sant
- Shocking Beatniks & Beyond [in the 2008 edition, this is "Shocking Beatniks & Beatsploitation"]
- Notes on Charles Bukowski
- Affiliated Works
- Beats on Film
- Beat Film Update 2001 [in the 2008 edition, this is part of "Beats on Film"]
- [2008 edition only: Herbert Huncke]
- Bibliography
- Index of Films
- [1997 edition: About the Contributors]
- [2008 edition only: Picture Credits]
- [2008 edition only: Film Sources]
- [2008 edition only: Author Biographies]
- [1997 edition: advertisements for Creation Books]
















































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