Richard Kostelanetz's "Breakthrough Fictioneers" (1973)





West Glover, Vermont, US: Something Else Press (book, anthology), 1973.
9.5" x 6.5" x 1.125", 360 pages, hardcover with dust jacket, ISBN 0-87110-087-8.

Breakthrough Fictioneers edited by Richard Kostelanetz and published in hardcover [pictured] and softcover editions by Something Else Press (West Glover, Vermont, US) in 1973. An anthology of creative and creatively-formed fiction works.

William S. Burroughs contributes "Word Authority More Habit Forming than Heroin". pp. 198-202. This previously appeared in the first issue of The San Francisco Earthquake, Fall 1967.

Maynard & Miles B72.
Shoaf II.97.

Contents:

  • Richard Kostelanetz: introduction
  • Credits and Acknowledgments
  • bill bissett: "untitled (from lost angel mining company)
  • Sarah Plimpton: "(Unititled)"
  • Gerhard Rühm: "Fabels"
  • Richard Shaw: "Big Poet Detects a Beam in Little Poet's Private Eye"
  • David Uu: "how we say love nd turn tv off"
  • Norman Ogue Mustill: "from Score for 12.46"
  • Marvin Cohen: "Forgetting: The Lost Art"
  • Donald Burgy: "Art Idea for the Year 4000 #1"
  • Giles Gordon: "GENEALOGY"
  • Dieter Rot: "Hansel und Gretel"
  • Jeff Berner: "autoparts"
  • Stanley Berne: "The Units That Make Up This Moment"
  • George Chambers: "Untitled"
  • Alan Sondheim: "*TraditCollege* Coarse Catalog"
  • Gertrude Stein; "Lucretia Borgia: A Play"
  • Dick Higgins: "Forty Seven Imaginary People and Landscapes"
  • Marvin Cohen: "TIME'S JOURNEY THROUGH IMMORTALITY..."
  • Kenneth Burke: "Scherzando"
  • Jean-François Bory: "Post-Scriptum"
  • Robert Chatain: "RUDOLF HESS, 1969"
  • Carol Emschwiller: "Eohippus"
  • Marvin Cohen: "Delplessly One"
  • Alastair MacLennan: "from To Stand"
  • George Chambers: "Once (after Kaveh Khatir)"
  • Eleanor Antin: "An episode from 100 BOOTS: An Epistolary Novel"
  • Henry James Korn: "Four Dreams Dreamed by the Girl Who Ate Three Desserts"
  • Stefan Themerson: "A Stranger"
  • Richard Meltzer: "Labor Unit Settles a Housing Question"
  • Richard Meltzer: "Hearse Is Premature"
  • Richard Meltzer: "Ship of Tubs"
  • John Mella: "Wash"
  • Liam O'Gallagher: "Detective More"
  • Tom Ockerse: "from T.O.P."
  • Edwin Morgan: "FROM THE ARCHIVES OF F.L.U.F.F. (Federation of Lovers of Undiscovered Forces and Frontiers)"
  • Arlene Zekowski: "from Seasons of the Mind"
  • Charles Platt: "Norman vs. America"
  • Jiri Valoch: "Dialogue"
  • Robert Smithson: "Incidents of Mirror Travel in the Yucatan"
  • Irene Schram: "Color: Stage Directions for a Three Act Play in Three Verses (Pantomime)"
  • Hans G. Helms: "from Fa:m' Ahniesgwow"
  • Irene Schram: "Machine Family: Stage Directions for a Three-Act Play in Three Verses (Pantomime, with Sound)"
  • John Furnival: "Statement"
  • Paul Haines: "IN ISTANBUL"
  • Robert Lax: "Problem in Design"
  • Vito Acconci: "Rubbing Piece"
  • Alain Arias-Misson: "A Public Poem"
  • Manfred Mohr: "from Computer Graphics"
  • David Uu: "(Untitled)"
  • Mirojlub Todorovic: "Lunometer (1969-70)"
  • William T. Wiley: "Dead Give Away"
  • Kenneth Gangemi: "Change"
  • Dan Graham: "Two Correlated Rotations (1969): 2 Super-8-mm film projections on loops"
  • Wally Depew: "On-no"
  • Russell Edson: "The Dead"
  • J. G. Ballard: "Princess Margaret's Face Lift: an intersection of fiction and reality"
  • José Luis Castillejo: "Don Federico"
  • Davi Det Hompson: "(Untitled)"
  • Timm Ulrichs: "wetterkarte"
  • James Salis: "The Very Last Days of Boston – from Field"
  • Dieter Rot: "from Daily Mirror"
  • Tom Veitch: "100 Words"
  • Silviano Santiago: "Labor Dei"
  • Kenneth Gangemi: "First Miscellany"
  • M. D. Elevitch: "Halfway Round the Nodule"
  • Hugh Fox: "NOT CURIOUS BUT WANTING IN"
  • Howard Fried: "Studio Relocation 2/5/70"
  • M. Vaughn-James: "Scythes in the Night"
  • Michael Butterworth: "The Terminal"
  • Donald Burgy: "Art Idea for the Year 4000 #2"
  • William S. Burroughs: "Word Authority More Habit Forming than Heroin"
  • Ray Smith: "Passion"
  • E. Lagomarsino: "Conjectures on a Famous Process"
  • Eugene Wildman: "Plosion"
  • Marvin Cohen: "INSIDE THE HEAD THAT'S INSIDE THE HEAD..."
  • Moacy Cirne and Alvaro de Sa: "Process Poems"
  • Marvin Cohen: "BORING AND MONOTONOUS PASSAGES..."
  • Wally Depew: "Plomp-Money"
  • Jean-Jacques Cory: "Testimonial"
  • Ken Friedman: "Personal Space"
  • hans clavin: "the quick brown fox jumps over the lazy dog ?"
  • Shoichi Kiyokawa: "G-String"
  • Barry McCallion: "from Art Maximus"
  • Richard Foreman: "from Evidence"
  • Lee DeJasu: "Jurative Game Antecedent"
  • Lee DeJasu: "*Jack"
  • Anro Karlen: "Mirrors"
  • Ruth Krauss: "Drunk Boat"
  • Tom Veitch: "(Untitled)"
  • Timm Ulrichs: "(Untitled)"
  • Jackson Mac Low: "A Greater Sorrow: an expanded story for Ray Johnson and Malka Safro"
  • José Luis Castillejo: "negations and contradictions can function as active forms"
  • Bill Knott: "No-Act Play"
  • J. Marks: "Transition: Notes from a Sixteen Year Old"
  • Tom Veitch: "Clipping"
  • Raymond Federman: "DASHING FROM DON TO TIOLI"
  • Jochen Gerz: "Alternatives to Memory"
  • Tom Phillips: "from A Humument"
  • John Mella: "Duplicate Piano Players"
  • Anthony J. Gnazzo: "Prime Source"
  • Armand Schwerner: "from The Tablets"
  • Etheridge Knight: "The Idea of Ancestry"
  • Raymond Federman: "Weather Report"
  • Paul De Vree: "Contestical Mill"
  • Richard Kostelanetz: "Development"
  • Norman Ogue Mustill: "Thermé 1"
  • Norman Ogue Mustill: "Thermé 2"
  • Jochen Gerz: "Occupied Space: Presence Participle"
  • Paul Haines: "TO NULLIFY BLOW BY LOWERING HEAD"
  • Pierre and Ilse Garnier: "from Prototypes"
  • John Baldessari: "Police Portraits"
  • Dick Higgins: "The Temptation of Saint Anthony"
  • CPGRAHAM: "King Con, Con King"
  • Clark Coolidge: "SEND TRACKS BENT TAPES"
  • Lars Görling: "Opus Dei"
  • Kenneth Gangemi: "The Newspaper"
  • Richard Kostelanetz: "Parallel Intervalic Sets"
  • Charles Levendosky: "Penumbra Triptych"
  • John Barth: "HELP: a stereophonic narrative for authorial voice"
  • Ruth Krauss: "Weather"


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