Gerald Sykes' "Alienation" (1964)
New York City: George Braziller, Inc. (book, anthology, slipcased), 1964.
Slipcase: 9.75" x 6.75" x 3.5", blue paper-covered non-acid-free boards with label on spine.
Volume I: 9.375" x 6.375" x 1.75", 641 pages, blue cloth with silver text on spine, no dust-jacket as issued.
Volume II: 9.375" x 6.375" x 1.625", 595 pages (numbered 642-1237), blue cloth with silver text on spine, no dust-jacket as issued.
Alienation, edited with an introduction by Gerald Sykes, published as a two-volume slipcased hardcover set by George Braziller, Inc. (New York City) in 1964. Volume I is subtitled Alienation: The Cultural Climate of Our Time and Volume II is subtitled Alienation: The Cultural Climate of Modern Man.
William S. Burroughs contributes a ten-page excerpt from Naked Lunch at pages 190-199, in Volume I.
Maynard and Miles B13.
Shoaf II.16.
Contents, Volume I:
- Gerald Sykes: Introduction
- Book One: Victims:
- "This Neutrality Toward Death":
- Siegfried Giedion: "Mechanization Takes Command"
- Fëdor Dostoevsky: "Notes from the House of the Dead"
- Gustav Herling: "A World Apart"
- Henri Alleg: "The Question"
- Erich Fromm: "The Sane Society"
- Erich Kahler: "The Tower and the Abyss"
- "I Watched Them Disappear":
- Stanley Kunitz: "The War Against the Trees"
- James Agee: "Let Us Now Praise Famous Men"
- Henry Miller: "Reunion in Brooklyn"
- Edward Dahlberg: "Because I Was Flesh"
- Paul Goodman: "Growing Up Absurd"
- Ralph Ellison: "Invisible Man"
- Norman Mailer: "The White Negro"
- William S. Burroughs: "Naked Lunch"
- "Public Smile, Private Blank":
- Peter Viereck: "The Unadjusted Man"
- Randall Jarrell: "A Sad Heart at the Super-Market"
- Kenneth Rexroth: "Disengagement: The Art of the Beat Generation"
- "Those of the Inhabitants of Sodom Who Were Spared":
- Marcel Proust: "Cities of the Plain"
- Jean Genet: "Our Lady of the Flowers"
- Jean-Paul Sartre: "Saint Genet"
- Sherwood Anderson: "Hands"
- W. H. Auden: "Get There If You Can and See the Land"
- Book Two: Perspectives:
- "The Test of a First-Rate Intelligence":
- F. Scott Fitzgerald: "The Crack-Up"
- George Santayana: "Americanism"
- Charles Péguy: "Destitution and Poverty"
- Paul Valéry: "History and Politics"
- "The Creative Mind in America Is Fragmented":
- Philip Rahv: "Paleface and Redskin"
- Walt Whitman: "Song of Myself"
- Henry James: "The Beast in the Jungle"
- Theodore Dreiser: "Sister Carrie"
- "And That Is Called Nihilism":
- Ivan Turgenev: "Fathers and Sons"
- Nicolas Berdayev: "The Origin of Russian Communism"
- Max Braunschweig: "The Philosophic Thought of the Young Marx"
- "The Way They Look at You Is Perfect":
- Henri Michaux: "A Barbarian in Asia"
- D. T. Suzuki: "Zen and Japanese Culture"
- Arthur Koestler: "A Stink of Zen"
- "Laid Down His Scythe":
- Marcel Aymé: "The Green Mare"
- Alejo Carpenter: "The Lost Steps"
- Hugo von Hofmannsthal: "The Wanderer"
- Gabriel Marcel: "The Decline of Wisdom"
- e. e. cummings: "i – Six Nonlectures"
- Robert Price: "The Hidden Airplane"
- "We Must Wear Our Souls in Subtle Schemes":
- Charles Baudelaire: "The Death of Artists"
- Stendhal: "The Life of Henri Brulard"
- William Blake: "Proverbs of Hell"
- William Shakespeare: "Hamlet"
- St. John of the Cross: "The Dark Night of the Soul"
- Plato: "The Republic"
Contents, Volume II:
- Book Three: Dialogues:
- "The New Art Is Not Accessible to Every Man":
- José Ortega y Gasset: "The Dehumanization of Art"
- Guillaume Apollinaire: "The New Spirit and the Poets"
- Mircea Eliade: "Myth and Reality"
- Alfred Jarry: "Ubu Roi"
- Samuel Beckett: "Waiting for Godot"
- Eugène Ionesco: "The Bald Soprano"
- T. S. Eliot: "The Classics and the Man of Letters"
- Virgil Thomson: "Shades of Poets Dead and Gone"
- Nikolai V. Gogol: "The Overcoat"
- Tomasso Landolfi: "Gogol's Wife"
- Vladimir Nabokov: "Nikolai Gogol"
- "Nevertheless He Was in Reality a Wolf":
- Hermann Hesse: "Steppenwolf"
- C. P. Cavafy: "As Much as You Can"
- Arthur Rimbaud: "A Season in Hell"
- Enid Starkie: "Arthur Rimbaud"
- E. M. Forster: "A Passage to India"
- Raja Rao: "The Serpent and the Rope"
- "Vassal, Slave, Inferior":
- Elizabeth Hardwick: "The Subjection of Women"
- Robert Lowell: "Life Studies"
- Nathanael West: "Miss Lonelyhearts"
- Horace Gregory: "McAlpin Garfinkel, Poet"
- Clement Greenberg: "Avant-Garde and Kitsch"
- Kikuchi Kan: "The Madman on the Roof"
- "Lend a Myth to God":
- Allen Tate: "Hart Crane"
- Hart Crane: "The Bridge"
- Book Four: Survivors:
- "A Necrophilous and Senseless Cry":
- Luis Portillo: "Unamuno's Last Lecture"
- Miguel de Unamuno: "Tragic Sense of Life"
- William Barrett: "Irrational Man"
- Alfred North Whitehead: "Science and the Modern World"
- C. G. Jung: "Modern Man in Search of a Soul"
- Seami Motokiyo: "On Attaining the Stage of Yugen"
- "An Earthly Story with a Hellish Meaning":
- D. H. Lawrence: "Studies in Classic American Literature"
- Rainer Maria Rilke: "The Notebooks of Malte Laurids Brigge"
- Franz Kafka: "The Castle"
- W. B. Yeats: "The Second Coming"
- Paul Klee: "Creative Credo"
- Frank Lloyd Wright: "Genius and the Mobocracy"
- John Marin: "To My Paint Children"
- Herbert Read: "Art Now"
- Vincent Van Gogh: "Letter to Emile Bernard"
- "The Is All Very Baffling to Man":
- Florida Scott-Maxwell: "Women and Sometimes Men"
- Emily Brontë: "Wuthering Heights"
- Emily Dickinson: "Poems"
- "Primary Words Are Spoken from the Being":
- Martin Buber: "I and Thou"
- Etienne Gilson: "Painting and Reality"
- Paul Tillich: "The Protestant Era"
- S. Radhakrishnan: "East and West"
- "Just Ease These Darbies at the Wrist":
- Herman Melville: "Moby Dick"
- Herman Melville: "Pierre"
- Herman Melville: "Bartleby the Scrivener"
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