ACID: Neue amerikanische Szene (1969)
Darmstadt, Germany: März Verlag (book, anthology, 1st), 1969.
10.75" x 8.25" x 1.25", 424 pages, softcover.
ACiD: Neue amerikanische Szene, edited by R. D. Brinkmann and R. R. Rygulla, published in 1969. A massive book of material from many common names of the time. Burroughs is very well represented in this volume.
Burroughs contributes "Rückkehr nach St. Louis" ["Return to St. Louis"], pp. 55-62.
Burroughs also contributes "Die unsichtbare Generation" ["The Invisible Generation"], pp. 166-167.
Burroughs also contributes "Akademie 23 – Eine Entwöhnung" ["Academy 23 – A Deconditioning"], pp. 363-367.
Four pages of Cut-Up writing by Burroughs are ganged up on page 173 – "Palm Sunday Tape", "Ore From The Dream Mine", and "Ore From Dream Mine Used To Make Palm Sunday Tape".
Burroughs' image also pops up in a collage at page 168.
Burroughs and The Naked Lunch are mentioned in Leslie A. Fielder's "Die neuen Mutanten."
This copy acquired from Book Broker (Berlin, Germany).
Maynard & Miles B48.
Shoaf II.60.
Contents:
- The Doors: quote
- Tom Veitch:
- "Die Mondschaukel" (prose)
- "Einfache Leute am Sonntag" (poetry)
- Claude Pélieu: collages
- Michael McClure:
- "Eine Girlande" (poetry)
- "Revolte" (essay)
- "Ghost Tantra Nr. 98" (poetry)
- Donald Barthelme:
- "Können wir reden" (prose)
- "Verschiedene Knoblauchgeschichten" (prose)
- George Stanley: "Fleischfresser-Gedicht" (poetry)
- Leslie A. Fielder: "Die neuen Mutanten" (essay)
- Aram Boyajian: "Indien" (poetry)
- Robert Sward:
- "Photo I und Photo II" (poetry)
- "Träume" (poetry)
- Joe Brainard and Frank O'Hara: "Harte Zeiten" (comic)
- Anne Waldman:
- "Kulturströmung" (poetry)
- "Paris Day" (poetry)
- Ted Berrigan:
- "Carols Traum, ein Hund" (prose)
- "Ein persönlicher Bericht über Tulsa, Oklahoma / 1955-60" (poetry)
- Ted Berrigan and John Cage: "Interview mit John Cage" (interview)
- Ron Padgett:
- "Wiedermal in New York" (prose)
- "Eine Buchkritik" (comic/concrete poetry)
- "Erdbeeren in Mexico" (poetry)
- "Bill" (prose)
- "Nancy" (comic, as Ernie Padgett)
- "Joe Brainards Bild 'Bingo'" (poetry)
- "Wiedermal du" (poetry)
- Ron Padgett and Joe Brainard:
- "Game Page" (comic)
- "Cézanne" (comic)
- William Burroughs:
- "Rückkehr nach St. Louis" (prose)
- "Die unsichtbare Generation" (prose/essay)
- "Palm Sunday Tape" (prose)
- "Ore From Dream Mine Used To Make Palm Sunday Tape" (prose)
- "Ore From The Dream Mine" (prose)
- "Akademie 23 – Eine Entwöhnung" (essay)
- Ed Sanders:
- "Das Treffen zwischen Elizabeth Barrett und Robert Browning" (prose)
- "Personals" (poetry)
- "King Lord /Queen Freak" (poetry)
- Norman H. Hoegberg: "Stelle Ansprüche" (poetry)
- Joseph Pinelli: "Auszüge aus Buch I" (prose)
- George Sparling: "Leckt mich am Arsch" (poetry)
- Anonymous:
- "Interview mit einem Hippie" (interview)
- "Die Erzählung der Mrs. Greenberg: Eine Tonbandaufnahme" (prose)
- The Willie: "Metastase" (poetry)
- Douglas Blazek:
- "Auf der anderen Seite des Mondes" (poetry)
- "Unangemessen" (poetry)
- "Vielbedeutend" (poetry)
- Donald Cauble: "Selbst Gott muss Nachts einsam sein" (poetry)
- Gerard Malanga:
- "Welt ohne Männer" (poetry)
- "Nacht Luft schnappen" (poetry)
- Larry Fagin:
- "Drei Gedichte" (poetry)
- "2 Hundegeschichten" (poetry)
- Roxie Powell: "Der vollkommene Ehemann" (poetry)
- Harold Norse: "Grüne Ballette" (prose)
- Algernon Backwash and M. Rodriguez:
- "Tales from the Hideum" (comic)
- "Brink of Doom Comix" (comic)
- "Doom Crack" (comic)
- Steve Richmond: "Jetzt" (poetry)
- Bill Deemer: "Kim Novak" (poetry)
- Gerard Malanga and Andy Warhol: "Andy Warhol" (interview)
- Robert Nichols: "Hymne an Frau Anne Banks" (poetry)
- Fielding Dawson:
- "Kapitän Amerika" (prose)
- "Das unsichtbare Glas" (prose)
- Charles Bukowski:
- "Am Fußende die Amsel steht" (poetry)
- "Lilien in meinem Gehirn" (poetry)
- Kenward Elmslie: "Heimisches Eingeweide" (prose)
- Kenward Elmslie and Joe Brainard: "Jellied Salads" (comic)
- Tom Clark:
- "Nach Abälard" (poetry)
- "Ich sitze auf einer Insel" (poetry)
- "Sonnett" (poetry)
- John Clellon Holmes: "Die neuen Mädchen" (prose)
- Gil Orlovitz: "Eier" (poetry)
- Tuli Kupferberg: "Wenn die Musik sich ändert, zittern die Mauern der Stadt" (essay)
- Kim Deitch: "Sunshine Girl" (comic)
- George Montgomery: "Cockman!" (poetry)
- Diane di Prima: "Was ich aß & wo" (prose)
- Peter Stafford: "Rausch, Rock, und Revolution" (essay)
- Joe Schwartz: "Wer war es eigentlich, der dich zur Party einlud?" (prose)
- John Giorno:
- "Rose" (poetry)
- "Gedicht" (poetry)
- Jonas Mekas: "Anmerkungen zu einigen neuen Filmen und zur Glückseligkeit" (prose)
- Rich Krech: "Gedicht" (poetry)
- Taylor Mead: "Gedicht" (x2) (poetry)
- Calvin C. Hernton: "Anatomie der 'Tiere'" (essay)
- Tom Veitch and Ron Padgett: "Stern*schlinge" (prose)
- Harry Matthews: "Das Drehbuch" (prose)
- Nohaki: "The Lesbian Monster" (comic)
- Paul Blackburn:
- "Guten Morgen, Liebling" (poetry)
- "Hier kommen sie" (poetry)
- "Aschermittwoch 1965" (poetry)
- "Liebesgedicht" (poetry)
- Sherry Barba: "Für verheiratete Frauen und noch einen Bekannten" (poetry)
- John Perreault:
- "Radio" (poetry)
- "Bemerkungen und Anmerkungen zur zeitgenössischen Kunst" (essay)
- "Die Flamingos" (poetry)
- Dick Gallup:
- "Veraltetes Gedicht" (poetry)
- "Auf Omas Privatweg" (poetry)
- Mary Beach: "Die elektrische Banane" (prose)
- Joe Brainard: "Alice" (prose)
- Parker Tyler: "Männer, Frauen und die übrigen Geschlechter, oder: Wie es euch gefällt, so könnt ihr es haben" (essay)
- Frank Zappa: "Mutationsblues" (interview)
- Gregory Battcock: "Vier Filme von Andy Warhol" (essay)
- E. F. Cherrytree: "Hallo Freunde" (prose)
- Seymour Krim: "Die Tageszeitung als Literatur" (essay)
- Robert Crumb: comics
- Gerard Malanga and Andy Warhol: "Andy Warhol: Über Automation" (interview)
- Leonore Kandel: "Blues für Schwester Sally" (poetry)
- Douglas Woolf: "Der Typ" (prose)
- Chester Anderson: "Notizen zur neuen Geologie" (essay)
- Marshall McLuhan and George B. Leonard: "Die Zukunft der Sexualität" (essay)
- Rolf Dieter Brinkmann: "Der Film in Worten"
- biographies
- R. D. Brinkmann und R. R. Rygulla: afterword
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